Exhibitor listing
  • Aeros - Leo Valledor
  • Two Complimentaries - Julian Stanczak
  • Mt. Bromo from above Encircled - Meridel Rubenstein
  • Until You Can't Wait .. No More - Matthew Penkala
  • RN 1524 - Rakuko Naito
  • Found Missing - Ted Larsen
  • Five Conditions - Tom Green
  • SELF - Allan Graham
  • Table in Pencil - Gloria Graham
  • Untitled (Muscle Relaxer) - Beverly Fishman
  • ME, MAN, MEN, MEAN - Nancy Dwyer
  • Abaya-Mudra Buddha - John Connell
  • Torn Up - Judy Chicago
  • White Tara - 1, 2014 - Max and Teri Almy-Yarbrow

David Richard Gallery

David Richard Gallery
544 South Guadalupe St.
Santa Fe, New Mexico 87501
United States
T  505-983-9555
M   505-467-9742
M   505-467-9743
F  505-983-1284

Santa Fe,
United States

E-mail address :
Website : http://www.DavidRichardGallery.com

Exhibitor's Artists:

  • Max and Teri Almy-Yarbrow
    Biography : Teri Yarbrow and Max Almy are Emmy, AFI and NEA award winning internationally exhibited video and installation artists known for pushing the boundaries of art and technology. Their complex installations seamlessly combine video, constructed surfaces, painting, digital imagery, flat screens and video projection to create dramatic, mesmerizing artworks. The newest creations are mandala-like multi-media pieces that incorporate flat screens behind large water jet-cut, patinated copper circles, on to which moving digital images are projected that spill on to the wall and span a diameter of 72 inches. Their works have been featured in major museums, festivals, screenings and collections throughout the world including: Museum of Modern Art, New York; New Museum, New York; Whitney Museum, New York; The Geffen Contemporary at MOCA, Los Angeles; Ars Electronica, Austria; SIGGRAPH; Stedelijk Museum, Amsterdam, Holland; Centre Georges Pompidou, Paris, France; among others.
    Max and Teri Almy-Yarbrow - White Tara - 1, 2014
    White Tara - 1, 2014
  • Judy Chicago
    Judy Chicago - Torn Up
    Torn Up

    Also exhibited by: Abby M. Taylor Fine Art LLC,
  • John Connell
    Biography : John Connell was born in Atlanta and studied at Brown University in Providence in the late 1950s. He then moved to New York and studied at the Art Students League and New York University before moving to San Francisco in the mid-1960s. Eventually relocating to the Southwest, he lived in Santa Fe, New Mexico for most of his career. His artwork is included in many public and private collections, including The Albright-Knox Gallery, Buffalo, New York; The Blanton Museum of Art, Austin, Texas; The Harwood Museum, Taos, New Mexico; The Hess Collection, Napa Valley, California; Metropolitan Museum of Art, New York, New York; Museum of Albuquerque, NM; New Mexico Museum of Art, Santa Fe; and Phoenix Art Museum, Arizona, among others. Detailed Description : The content of John Connell’s art was very much inspired by nature, Zen philosophies and wabi-sabi concepts of transience, while his visual approach echoed that of the Arte Povera movement in Europe. Paintings, collages, drawings and sculptures created with a variety of materials, including paint, tar, gravel, paper, wood, textiles, pure pigment, iron oxide, glue and ink on a variety of supports will be presented. His very long scrolls of meditation-inspired figures created with spray paint on a wide range of papers in the early 1980s—early examples and prefiguring graffiti and Street Art—will also be exhibited. The elegant shapes of the figures and nearly exact proportions demonstrated his skill as a figurative painter. More than technical skills, these works demonstrated Connell’s creative genius, his passion for scale and spontaneity and living in the moment. He was a keen observer of not only nature, but also people, with an innate ability to capture mere gestures that evoke an entire understanding of a being or situation. Connell was a true abstract artist, focusing on just the essence through reductive approaches, simplifying both process and materials and conveying the maximum information with the greatest economy of means. His use of detritus and ephemera furthers the notion of temporality and mortality in life and the renewal process in nature, from form to ashes and back to form again, a continuum and infinite. Connell’s art making practice also maps to Institutional Critique as he challenged not only the definition of painting and art in general, but also where and how art was viewed. He painted on roofing underlayment, craft paper and paper bags and used wire, rags, wood and other non-conventional objects, such as clam shells—mostly from personal experiences—for his sculptures and collages. His exhibitions frequently included paintings and drawings unframed and pinned to the wall. The place and apparatus of presentation was less importa
    John Connell - Abaya-Mudra Buddha
    Abaya-Mudra Buddha
  • Thomas Downing
  • Nancy Dwyer
    Nancy Dwyer - ME, MAN, MEN, MEAN
  • Beverly Fishman
    Beverly Fishman - Untitled (Muscle Relaxer)
    Untitled (Muscle Relaxer)
  • Allan Graham
    Allan Graham - SELF
  • Gloria Graham
    Biography : Gloria Graham’s art making practice explores interactions at the molecular, physical and metaphysical levels with a focus on ephemera and the ethereal captured through her camera lens and drawings. She has had many solo exhibitions and her artwork included in numerous group exhibitions in New York, Los Angeles, Santa Fe, Albuquerque, Houston, Marfa, Buffalo, Denver, Verona, IT, Lugano, Switzerland and Japan. Her artwork is included in the permanent collections of the Whitney Museum of American Art (NY), The Lannan Foundation, The Broida Foundation, Albright Knox Art Gallery (Buffalo, NY), Museum of Fine Arts (Houston, TX), The Panza Collection, Museo Cantonale d’ Arte (Lugano, Switzerland), Harwood Museum of Art (Taos, NM), Denver Art Museum (CO), Roswell Museum and Art Center (NM), North Dakota Museum of Art (Grand Forks, ND), Albuquerque Museum (NM) and Museum of Fine Arts (Santa Fe, NM). Graham studied at U. California, Berkeley and Baylor University with graduate studies at U. Wisconsin and U. New Mexico. She lives and works in New Mexico.
    Gloria Graham - Table in Pencil
    Table in Pencil
  • Tom Green
    Tom Green - Five Conditions
    Five Conditions
  • Ted Larsen
    Ted Larsen - Found Missing
    Found Missing
  • Tom Martinelli
  • Rakuko Naito
    Rakuko Naito - RN 1524
    RN 1524
  • Ruth Pastine
  • Matthew Penkala
    Biography : Mathew Penkala, a Los Angeles-based artist, received his BFA in Photography from Arizona State University and MFA in Painting from Cranbrook Academy of Art. He has had several solo exhibitions and his artwork included in many group exhibitions in Los Angeles, Santa Fe, Detroit and Phoenix. His work is included in numerous private and public collections, including the Neiman Marcus Collection, Houston, Texas; Maxine and Stuart Frankel Collection, Bloomfield Hills, Michigan; and Daimler-Chrysler Permanent Collection, Southfield, Michigan, among others.
    Matthew Penkala - Until You Can't Wait .. No More
    Until You Can't Wait .. No More
  • Paul Reed
    Also represented by: David Richard Gallery,
  • Richard Roth
  • Meridel Rubenstein
    Biography : Meridel Rubenstein began her professional career in the mid 1970’s, evolving from photographer of single photographic images to multi-media artist of large-scale installations. From the beginning her art making has argued for an awareness of how we are connected to place. Her works are known for their unusual combinations of materials and ideas as seen in the work Oppenheimer’s Chair. Here a transparent photographic armored sentry figure guards a glass house filled with white sand. A ghost tree, sandblasted onto the back wall, frames a glass chair upon which video imagery is projected, all suggesting the shedding of defensive postures. Commissioned for the 1st Site Santa Fe International Biennial in 1995, this seminal work marked the 50th anniversary of the first atomic test at Trinity, the date on which the Biennial opened. Underlying all that she creates, is a sense of possibility, of the visual beauty and richness of the natural world. Her newest work Eden Turned on its Side focuses on intersections of nature and culture in relationship to ecological and social imbalance. After millennia of destruction, can Eden be restored?
    Meridel Rubenstein - Mt. Bromo from above Encircled
    Mt. Bromo from above Encircled
  • Julian Stanczak
    Julian Stanczak - Two Complimentaries
    Two Complimentaries
  • Robert Swain
  • Leo Valledor
    Leo Valledor - Aeros
  • Suzan Woodruff

    Also exhibited by: Toomey Tourell Fine Art,

Other Artists represented by the Gallery:

  • Richard Anuszkiewicz

  • Leon Berkowitz

  • Fred Eversley

  • Gabriele Evertz

    Also represented by:
    ADLER & Co.,
  • Lilly Fenichel

  • Charles Hinman

  • Ward Jackson

  • Matthew Kluber

  • Tadasky Kuwayama

  • Paul Reed
    Biography : Paul Reed is a native of Washington, D.C. and taught at the Corcoran School of Art. Reed’s professional debut was in a group show in 1958 at the Watkins Gallery, American University in Washington, D.C. His career was solidified following the 1965 exhibition, The Washington Color Painters, curated by Gerald Nordland at the Washington Gallery of Modern Art that featured Reed along with Gene Davis, Howard Mehring, Thomas Downing, Kenneth Noland and Morris Louis. Since then he has had numerous solo exhibitions and his artwork included in many group and museum exhibitions. Reed’s artwork is included in the permanent collections of many museums including: the Phillips Collection, Corcoran Gallery of Art, National Gallery East, Hirshhorn Museum and Sculpture Garden and the Smithsonian Museum of American Art, all in Washington, D.C., Detroit Institute of Art, Walker Art Center (Minneapolis), Dallas Museum of Art, High Museum of Art (Atlanta), San Francisco Museum of Art and the Art Institute of Chicago, among others.

  • June Wayne
    Biography : June Wayne was a painter, lithographer, writer and filmmaker. She was best known for establishing the Tamarind Lithography Workshop in Los Angeles in the early 1960s and reviving lithography as a critical form of art making. Wayne always pushed the edges of the envelope and loved to explore alternative materials, supports and artistic practices that had been overlooked, forgotten or not critically considered by others. Detailed Description :
    June Wayne, "Tapestries" David Richard Gallery is pleased to exclusively represent and offer for sale for the first time in several decades the 16 tapestries produced from 1970 through 1974 in France by the legendary artist June Wayne. The tapestries were based upon lithographs produced by Wayne, featuring her contemporary images in a historic medium and artistic practice, and were recently exhibited in Chicago at the Art Institute of Chicago, June Wayne's Narrative Tapestries: Tidal Waves, DNA, and the Cosmos, November 3, 2010–May 15, 2011. June Wayne was a painter, lithographer, writer and filmmaker. She was best known for establishing the Tamarind Lithography Workshop in Los Angeles in the early 1960s and reviving lithography as a critical form of art making. Wayne always pushed the edges of the envelope and loved to explore alternative materials, supports and artistic practices that had been overlooked, forgotten or not critically considered by others.
  • Sanford Wurmfeld


Post War Art including Abstract Expressionism, Color Field, geometric and hard-edge painting, Op Art, Pop Art, Minimalism, Feminism and Conceptualism in a variety of media
Founded in 2010
David Eichholtz   Manager / Director
Richard Barger   Manager / Director
David Richard Gallery, a contemporary art gallery in Santa Fe, specializes in post-war abstract art including Abstract Expressionism, Color Field, geometric and hard-edge painting, Op Art, Pop Art, Minimalism, Feminism and Conceptualism in a variety of media. Featuring both historic and contemporary artwork, the gallery represents many established artists who were part of important art historical movements and tendencies that occurred during the 1950s through the 1980s on both the east and west coasts. The gallery also represents artist estates, emerging artists and offers secondary market works.

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